Showing posts with label Peshawar. Show all posts
Showing posts with label Peshawar. Show all posts

Sunday, July 8, 2012

An Eternal Bromance

I have a dirty secret.

Maybe kinky even.

I started listening to Bhangra music actively in the 9th grade or so. Back then, this was largely driven by my attempt to rediscover my roots (while I learned later that my ancestry is more Peshawari/Pakistani than punjabi, and thus the said roots are closer to the NWPF than the five sisters, we’ll leave that for a later post) as also UK /Canadian Punjabi music’s fling with the mainstream. Even though most such music then (and even now) veered around truck driver melodies, I was determined to bring to light genuine evocative glorious (you get the drift) tunes from within this grimy little underworld place. And so began what soon became a daily ritual of sitting online on sites like simplybhangra, punjab2000, nachdepunjabi, chakdey and such, discovering things like BitTorrent, DC++ (the best effing software there ever will be) and DC groups where desi dj’s exchanged notes and sampled music sometimes years before it got out (Did you know Tanu Weds Manu’s Sadi Gali is actually from a 2008 RDB album? Do you even care? Who are you? What could this mean in the larger scheme of things? What if..).

And while the journey has had its highs and lows, peaks and valleys, ebbs and flows, and stystoles and diastoles; artists, record labels and even music channels have come and gone, your faithful author has remained mostly so.

I remember I once forced charlie to listen in on my dilapidated excuse for a diskman (*beams*) to what, to me, was a very catchy number (Jassi Sidhu’s Ishq Vich Jogi) only to be given a look which was loosely based around “I like you but I don’t like this song so I will smile politely and nod appreciatively because how long can this song go on anyway right?”. At which point she lost 50 points for Ravenclaw.

But anyway, what hasn’t changed is my faith (sometimes rock solid, other times dangling by pinky fingers over lakshman jhoola) in the potential of the Punjabi music space that is just waiting to be tapped like something which must be..umm tapped. Exhibit A: Man of the moment, Honey Singh. While one might like to believe that his audience barely transcends West Delhi, you must know that he had been patiently biding his time delivering regional hit after hit after hit (he’s been around since this) until he came out with the monster that was International Villager. 20 million + youtube hits are crazy numbers for any artist, let alone Indian. Sprinkle a bit of visibility (matlab this) and you got mistah midas touch.  And there are many such corkers out there like Bikram Singh, Surinder Shinda, Northern Lights, Tigerstyle, Aman Hayer, Sukshinder Shinda, Master Saleem, Imran Khan (who did get fleeting moments of celebrity actually), Feroz Khan and so many more who are probably peeling peas while I wage their battle in the small hours because the poor lads’ PR machinery is found wanting. And while we’re at it, whatever happened to Jasmine Sandlas!

I feel sore now, so this is the end of this post. I mean sore physically, not like a guy in the 1950s who’s angry in a movie.

Jay Sean, if you’re reading this buddy you owe a massive massive shout out to our man Rishi Rich and the 2point9 crew.

Pritam, if you’re reading this, while it’s great you’re one of the guys finally giving good Punju music (NOT an oxymoron) its deserved due (by which I don’t necessarily mean giving Miss Pooja a break), it would be nice if you won’t Bollywoodise (mess up) songs like these.

And dear Delhi readers with a cosy space for quality punju music in their dil, you owe yourselves a Hari & Sukhmani gig. 

If you got till this far, I leave you with this: The ‘Earth’ without ‘art’ is just ‘Eh’.

Does it make you want to stop and soak in, then stare at the distance in mild awe, and then roll about the ground, yapping like a dog at the discovery? It shouldn’t, because this isn’t a breakthrough finding. You were just too dense to notice it earlier.

Maybe you should write me an email about this. But don’t send it, because there is already too much junk in my trunk. In all 3 ways.

Yes 3.

Actually I would love for you to write me an email.

No I won’t.

Yes I would.

Shut up!

No you shut up!
















--

Sidharth

P.S. You’re the only one who saw 6 whiles in the 600 or so words. No shit, sherlock!

P.P.S. I have been writing in bits and pieces over the past few months, but most of the stuff has been too deviant (dark perhaps?) to publish. Maybe I would put it up one day. Maybe I won't. Until I do, hold tight.

--

Friday, August 22, 2008

Dil Dil

Hey

Let's just say I haven't been regular with the blog.

http://in.youtube.com/watch?v=sAQltxqCluQ


The song is called Dil Dil Pakistan by Vital Signs, arguably the biggest song ever by the biggest Pakistani band in the 90's. The song became an anthem then, and is still an anthem now. Lead by singer Junaid Jamshed and influential director - producer Shoaib Mansoor (ShoMan), the band, the song, Junaid and ShoMan took Pakistan by storm.

Now why is stumbled upon this song is another question. I recently saw Khuda Kay Liye the first proper mainstream movie to come out of Pakistan in 3 decades and a movie I would recommend to every Indian. Not because its breakthrough cinema or anything but because it gives a realistic picture of what Pakistanis and Muslims go through every day for no fault of theirs.Also since it gives us a chance to hear their side of the story. As the saying goes, all(alright most) terrorists are Muslims but not all Muslims are terrorists.


It is essentially the story of two musician brothers; the elder one goes to the U.S. to pursue music while the younger one gets influenced by Fundamentalist Islamists , quits music and joins them + and how situations change post 9/11. There's another sub plot with their cousin sister from England who is forcefully married in Pakistan. That along with Muslim stereotypes being dealt with, form the gist of the movie.The movie is directed by Shoaib Mansoor(ShoMan, as he calls himself and as mentioned earlier) and being the man he is, the movie was highly anticipated and well, worth the hype.

Deviating from the topic a little, Pakistan doesnot really have a lot of icons (most coming out of cricket and music) so the few icons they do have ( like ShoMan, Shahid Afridi, Junaid Jamshed, Ali Zafar, Atif Aslam etc) get ALOT of hype. Also, has anyone noticed how good looking Pakistani people are?

Coming back, the younger brother's character in the movie is loosely based on Junaid Jamshed (ShoMan and JJ were more than brothers before JJ took the Islam U-turn. Also JJ was the Micheal Jackson of the time in Pakistan so his quitting the music scene came as a huge shock to the Pakistani people). Which also explains why the movie got even more hype, since this was ShoMan's way of telling his side of the story and how he felt about the whole JJ islam episode.

Without going too much into the story, the movie's direction is consistently good, the performances are tight, and the background score is very good. So is Naseer-uddin Shah 's scene stealing cameo at the end. Considering this movie was shot on a shoestring budget, it's a delight to watch.(3.5/5). And if you're cheap and can't buy the DVD, it's also available on youtube(though the print pretty much sucks)

--

Talking of Pakistan, my ancestral home is in Peshawar and I really wish I could go see it in this lifetime. Also, Pakistanis are generally a warm, friendly and genuine people and it is just a few extremists who use the garb of Jihad to mislead young impressionable minds and bring both Islam and Pakistan a bad name.

Peace